Drum Instruction DVD: Improve Your Playing
My experience with the speed drumming is a strange one. Basically, one October day, while picking up some drum sticks at a local music store, I noticed drummers using a device called a "Drumometer. This "drumming speed" measurement device used a practice pad for a striking surface with an embedded piezo trigger. The trigger was connected to a counter-timer computer brain that had a count and a timer display.
Your physical body can always do what you mind can conceive. Before you know it you will be producing you own style that others desire of you. It all starts in the mind.
A typical drumstick has a tip, shoulder, shaft and butt. The tip, also referred to as bead, is the top-most part that strikes the drum. Traditionally, the tip is made of the same hard wood as the rest of the stick.
The sound that you like and your drum's best sound may not be the same. Let the drum have it's way. Here are a couple of tips to deal with drum noise while practicing.
Depending on the type of music, begin your solo to match the flow of the music. You might not want to perform a hard and fast solo to slow, smooth, easy listening jazz nor drum softly to hard, power-driven metal. Make your solo tasteful. Let it make a statement and signature of what you are creating. Utilize all the instruments of your drum set such as your snare drum, bass drum, toms, cymbals and other instruments that accompany the drum set. The final step in developing a solo.
However, six months is not an ideal time. If you have been playing the drum too often lately, consider changing it even though you may have changed it four months back. Signs that should tell you it is now the time for you to change are indents and cracks.
Well, I asked around a bit and was surprised to learn that the history of second line is a bit cloudy. Nobody can seem to agree on how it evolved, I heard stories about there being a line of musicians and staff that marched behind the mourners (second line) at a funeral parade in New Orleans. Apparently the musicians would play funeral marches on the way to the funeral and more livelier pieces on the return home.
Drummers like Zigaboo Modeliste and Johnny Vidacovich mixed second line with syncopated funk, developing a style called "second-line funk drumming". This style was popularized in many famous bands that came from New Orleans like the Meters (see below). Second line drumming often involves a 3/2 son clave not dissimiliar to the Bo Diddley beat although it doesn't necessarily always follow that rule, and Second line beats are also called "Street Beats". - 18758
Your physical body can always do what you mind can conceive. Before you know it you will be producing you own style that others desire of you. It all starts in the mind.
A typical drumstick has a tip, shoulder, shaft and butt. The tip, also referred to as bead, is the top-most part that strikes the drum. Traditionally, the tip is made of the same hard wood as the rest of the stick.
The sound that you like and your drum's best sound may not be the same. Let the drum have it's way. Here are a couple of tips to deal with drum noise while practicing.
Depending on the type of music, begin your solo to match the flow of the music. You might not want to perform a hard and fast solo to slow, smooth, easy listening jazz nor drum softly to hard, power-driven metal. Make your solo tasteful. Let it make a statement and signature of what you are creating. Utilize all the instruments of your drum set such as your snare drum, bass drum, toms, cymbals and other instruments that accompany the drum set. The final step in developing a solo.
However, six months is not an ideal time. If you have been playing the drum too often lately, consider changing it even though you may have changed it four months back. Signs that should tell you it is now the time for you to change are indents and cracks.
Well, I asked around a bit and was surprised to learn that the history of second line is a bit cloudy. Nobody can seem to agree on how it evolved, I heard stories about there being a line of musicians and staff that marched behind the mourners (second line) at a funeral parade in New Orleans. Apparently the musicians would play funeral marches on the way to the funeral and more livelier pieces on the return home.
Drummers like Zigaboo Modeliste and Johnny Vidacovich mixed second line with syncopated funk, developing a style called "second-line funk drumming". This style was popularized in many famous bands that came from New Orleans like the Meters (see below). Second line drumming often involves a 3/2 son clave not dissimiliar to the Bo Diddley beat although it doesn't necessarily always follow that rule, and Second line beats are also called "Street Beats". - 18758
About the Author:
Everything they never told you about drum beats revealed! For more insider tips and information be sure and check out drum instruction dvd
posted by X - Men at
3:18 AM
0 Comments:
Post a Comment
Subscribe to Post Comments [Atom]
<< Home