Making Music And The Importance Of Recording Levels
Recording levels are of the extreme importance when youre producing your music. This pertains to the level for the racks or the mixes. There has constantly been a ordinary answer for this being to set the level at max merely below the digital 0. Referring to the top of the meter. Regrettably, a couple of the pros will most likely tell you this's wrong.
One of the things you may want to bear in mind with this industry is not to believe everything you hear. (No pun intended). There are those in the industry that'll tell you any thing just to get you to buy their wares. Anybody that has been in the comp music realm would tell you that digital audio has just gotten to the point where sound quality is acceptable.
Bear in mind 1 fundamental component about your quest of composing music and that is the purpose of recording sound. Which's of course so we can listen and enjoy it. You require to learn and be able to determine what parts of the music must be louder than the others. For instance, a pop ballad should be lower on track than a thrash metal. A guitar solo should be above the normal background playing.
Your 1st inclination would be to use just your digital meters and record these one by one. On the surface, it sounds reasonable, but as a matter of fact, you can end up with the very opposite results. Reason being the digital recorders utilise peak meters, where as music listeners use their hearing implying they utilize reasonable characteristics when judging the levels. If not done in the right way then it implies the listener will be forced to turn the volume down.
You can prevent your frustrations if you simply record every thing at the proper levels right from the starting. It will be right to share 1 track between two instruments at least. This should simply be done when the two specific instruments are not playing concurrently. So you would record these instruments at the exact level that they would be at when physically playing the song. Utilise your estimation qualities to get the results that're correct. You wish to hear what the end listeners should heae. They will not be utilizing meters they'll be using their natural ability of hearing.
Remain consistent with your whole album, say the listener has to keep getting up to adjust the volume you could bet they will not be too happy.
If you try and do your sound recordings according to every of the data that several people give you then you would soon become discouraged. What may work in one song would for sure not work in another. Then there would be all the controversy to sort through. Learn the fundamentals, follow your judgment and trust your ears. Composing music is suppose to be an enjoyable event even if its your livelihood, if you did not have passion for music it is unlikely you would even be involved in computer music. - 18758
One of the things you may want to bear in mind with this industry is not to believe everything you hear. (No pun intended). There are those in the industry that'll tell you any thing just to get you to buy their wares. Anybody that has been in the comp music realm would tell you that digital audio has just gotten to the point where sound quality is acceptable.
Bear in mind 1 fundamental component about your quest of composing music and that is the purpose of recording sound. Which's of course so we can listen and enjoy it. You require to learn and be able to determine what parts of the music must be louder than the others. For instance, a pop ballad should be lower on track than a thrash metal. A guitar solo should be above the normal background playing.
Your 1st inclination would be to use just your digital meters and record these one by one. On the surface, it sounds reasonable, but as a matter of fact, you can end up with the very opposite results. Reason being the digital recorders utilise peak meters, where as music listeners use their hearing implying they utilize reasonable characteristics when judging the levels. If not done in the right way then it implies the listener will be forced to turn the volume down.
You can prevent your frustrations if you simply record every thing at the proper levels right from the starting. It will be right to share 1 track between two instruments at least. This should simply be done when the two specific instruments are not playing concurrently. So you would record these instruments at the exact level that they would be at when physically playing the song. Utilise your estimation qualities to get the results that're correct. You wish to hear what the end listeners should heae. They will not be utilizing meters they'll be using their natural ability of hearing.
Remain consistent with your whole album, say the listener has to keep getting up to adjust the volume you could bet they will not be too happy.
If you try and do your sound recordings according to every of the data that several people give you then you would soon become discouraged. What may work in one song would for sure not work in another. Then there would be all the controversy to sort through. Learn the fundamentals, follow your judgment and trust your ears. Composing music is suppose to be an enjoyable event even if its your livelihood, if you did not have passion for music it is unlikely you would even be involved in computer music. - 18758
About the Author:
Greg is the founder of VSTPlatinum. It comes jam packed (over 4.7 gigs) with incredible sounds, free vst plugins and world class effects to take your music to the next level. Compatible for use with all major music programs including cubase plugins.
posted by X - Men at
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