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Thursday, December 17, 2009

Better Films And Pictures WIth Green Screen Los Angeles

By Phil Guye

Ever imagined the film industry without the use of green screen? The majority of the films and footage that amazed people are products of Green screen Los Angeles technology. With the use of green screen, out of this world settings and amazing creatures are shown in films. Chroma has made the most unlikely possible due to the wonders it can bring films. Dramatic effects and computer generated photographs are all possible due to the help of green screen. The films like Titanic and Star Trek used green screen technology that made it look more realistic and creative. Green screen is considered as any filmmaker's best pal but not all folk know how this technique works.

Green screen technology is about mixing two different images. Green screen is also popularly known as chroma key. Chroma works with a background image and a foreground image. The background is generally a solid color that's either green or blue in color. It can be replaced with another picture. Green is preferred than blue. Why not red or pink? The explanation behind green or blue colours as background is really because video cameras and cameras are delicate to these colours. Filmmakers and photographers use these colors because they are more easy to use since it doesn't need tedious lighting. As well as that, the color green has less noise and it makes cleaner lines compared to other colors. Green screens are chosen by huge productions and weather reports because it's better to use and manipulate.

Regardless of the wonderful creations and attributions that green screen can give, there are also some things about it that should be considered. Green screen Los Angeles only work with the best filming and photography equipments. This implies a higher production cost is needed. Filmmakers should use the best lights, cameras and other high technology equipments for movie production. Dreadful lighting can produce ugly shadows and untouched shots. Filmmakers and photographers never compromise the quality of their art by trying poor quality equipment.

Green screen is considered as filmmakers' best buddy. Using the chroma key makes many things for them less complicated like having different settings in almost no time. Apart from that, green screen can provide them all the effects they have to bring out their creativity. Green screen helps artists experiment on the films they make especially independent filmmakers. Without green screen, there wouldn't be much wonderful films like Harry Potter and Transformers.

Green screen Los Angeles plays a crucial role in the field of media and entertainment. It isn't only used for movie production but also for mag shoots and TV shows. The use of green screen has made beautiful images and fascinating details possible. - 18758

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7 Reviews And Critiques On Some Outstanding Movies

By Ora Carver

The way we get our film entertainment is altering. Now you can download whole and unabridged, first-rate films right away to your computer. You then have the decision to view the movie on your computer, your Ipod or Iphone, or a PSP. You can also transfer it to a DVD so that you can watch it on your TV set.

Pretty Woman - A coincidental meeting of a street prostitute and a callous and extraordinarily well-off businessman leads to a unique proposition. He hires her for the week, to attend some functions with him as an escort. He has no idea what he has gotten himself into. Starring Julia Roberts and Richard Gere.

The Horse Whisperer - After her daughter is dangerously hurt in a horse riding accident, her affluent mother takes the horse to a renowned horse whisperer in Montana. A romance between the two follows.

Rampage - Pregnant Long Island housewife, unable to contend with married life escapes her husband and picks up a simple minded football player on the street. Cast includes Michael Biehn, AIex McArthur, Robert Duvall, Marya Zimmet, Tom Aldredge, and Laurie Crewes. (97 minutes, 1992)

Kimberley Jim - Little musical of 2 carefree gamblers who win a fortune in a fixed poker game, and then have a change of heart. Cast includes Jim Reeves, Madeleine Guide, Clive Pamell, Arthur Swemmer, and Mike Holt. (82 minutes, 1965)

Like Mike - Charming film for babies in reference to an orphaned boy who possesses sneakers that might have belonged to Michael Jordan and turns into a basketball-playing wonder however what he sincerely wants is a dad. Many basketball megastars appear as their selves. Cast includes Morris Chestnut, Jonathan Lipnicki, Robert Forster, Crispin Glover, and Anne Meara. (99 minutes, 2002)

From Nashville with Music - Some excellent country and western music, even if one would be better served to purchase one of the actors' albums rather than agonizing through this account of a New York couple who go to the Grand Ole Opry by coincidence. Cast includes Marilyn Maxwell, Leo G. Carroll, Pedro Gonzalez, Marty Robbins, Merle Haggard, and Buck Owens. (87 minutes, 1969)

Happy Gilmore - Hockey player Happy Gilmore finds his slap shot power translates into 400 yard plus drives in golf. Needing money to help his grandma save her home, he is going to try pro golf. His putting is as dreadful as his driving is good, so he has a lot to learn. Overcoming all odds, Happy wins the tour championship and now can save grandma's home.

Some of the sites are offering a lifetime membership while others offer a less expensive version that lasts for a particular period of time. Both choices are more easy on the pocket than a conventional video store or subscription service and both provide the added convenience of having access to all of the motion pictures that you may want and not just the movies that are at this time in stock. Choose from the list below and download a fantastic movie to view tonight. - 18758

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History Of Green Screen Los Angeles Technology

By Phil Guye

Green Screen Los Angeles technology, a favored movie-making tool, is often referred to as chroma key. It's a technique used by filmmakers to mix 2 different images or pictures together. A solid color---the background--- is made clear and is replaced with an actual background that'll be shown on the movie. This method is also ordinarily referred as blue screen color keying, and CSO ( color separation overlay ). Initially, it was basically used for weather reports and then it eventually became well-liked by filmmakers and photographers alike.

The green screen made its debut in the'30's t RKO Radio Pictures, a once famous production outfit. Back then, the background color of choice was blue. CRO was first used and developed to give way for computer effects in films. The first film to benefit from this is The Thief of Bagdad. Larry servant is credited for this film technique. He even won an Academy Award for his work in the film The Thief of Bagdad. After this milestone in filmmaking, the green screen Los Angeles Technology pushed new boundaries and heralded new improvements in the visual effects arena.

One of the first pictures that employed the latest and greatest chroma key method was Old Man and the Sea, a film adaptation of Ernest Hemingway's famous novel of the same name. After this film, more and more films employed the green screen in order to have more streamlined visual effects. In fact, many memorable films would not be possible without the green screen. Such pictures include The Matrix, The Lord of the Rings Trilogy, Jurassic Park, 300, and Men in Black. Without the help of chroma key technology, these films would not be possible.

The green screen Los Angeles technology is now available to more folk. It's no longer being used only by large Hollywood production studios. Even photographers can take advantage of chroma key technology in order to make their photographs have better depth and quality. It also makes it easy for photographers to manipulate their photos thanks to the green screen.

From the blue screen, green became the color of choice when various technical advancements became accessible. Green was chosen because cameras are way more sensitive to this color. So with help from chroma key and the most recent filmmaking gizmos, making visually surprising movies is now more possible than ever. - 18758

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White Cyc Studios: Boundless Technology

By Phil Guye

White cyc is an individual element used to build a cyclorama that encircles the stage. All the changes in technology have done tiny to switch the way in which the cyc is lighted over time. All the new technology has increased the importance of correct lighting, and using the right kind of material for the white cyc.

What technology has done is take century old technology and make its use necessary for making virtual backgrounds for virtual and computer effects for the up and coming flood of films, and diverse video applications conditional on PC systems requiring faultless virtual backgrounds that may only be created in white cyc studios. White cyc studios technology dates back to nineteenth century German Theaters and has bounced round the entertainment industry for a long time. White wall surface was use for early twentieth century Broadway plays and finally ended up in Hollywood use for creating computer effects.

The white cyc is a very useful tool when it comes to lighting the white surface stage set. The white cyc supplies the lighting designer with an abounded number of lighting probabilities for staging the desired special effects scene. The white cyc with proper lighting will draw the spectators focus to the subject that the producer wants to show off. This is the major advantage of white surface backgrounds, and the reason white cyc studios are used for television commercials, stories programs, music videos, dance routines, and other sorts of film media. White is utilized for the color of the cyc as it leaves the background void so a new background with the desired effect can replace it. The void background is superb for digital fashion photography enhancing the model's appearance and keeping total target the model.

The number of white cyc studios technology walls can be painted green to combine green screen effects in the white cyclorama studios. This works as the cyc is void of background allowing for the green screen background effect to turn up in place of the white cyclorama background. Using the cyc enhances the green screen effect by giving it illusions depth and infinite space. Robert Rodriguez exploited a method similar when he was filming Sin City when he uses his 1956 Chevy Panel truck in the flick. He places his van on a platform and films it from all different camera angles. The actors were filmed in front of a green screen background and were composite in the wagon film to appear to be inside of the wagon. In reality the actors never were in the van during filming. With the inflating number of computer effects in pictures and TV programs today cyc lighting is very essential in creating special visual effects.

Movie producers have doubts about using white cyclorama residences for CGI effects. The producer's doubts are quickly dismissed with clear understanding of what the cyclorama studios can do when they witness the results from the production studios. Another use for white cyc studios technology backgrounds is on talk shows when music groups stop by to play one of their new music pieces. The white surface provides the perfect area for creating a quick music environment. - 18758

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Lighting and Green Screen Studio

By Phillip Guye

One of the toughest challenges of successfully working with a green screen studio is uniformly lighting it. The screen itself requires its own lighting ; independent from your foreground subject lighting.

The key is to evenly light your screen, while avoiding the creation of shadows. You preferably need your screen to represent a single, consistent colour. Remember, because you're trying to utilize the narrowest colour range as you can, shadows broaden the range, and are a contributor to lessened effects. If you have shadows ( darker colors ), they might not be picked up by the camera, and as a result ; those areas will not get replaced. If you are working with a low-budget setup, shadows become more difficult to stop because of the cheaper, less specialized materials used.

This is why it is even that much more crucial to be sure your lighting is as even as feasible, particularly when working with lower budget setups. Using a minimum of 2 lights ( the more the better ), you should direct light inwards from either side, and from below ; alter till you get the most even lighting. Using diffusion filters makes a massive difference during this step. They significantly decrease the incidence of shadows. Next, when you add your subject, you'll spot the subject's foreground lighting casts shadows on the screen ; you'll need to adjust your screen lighting and filters for your screen color evenness again.

When choosing a material for your green screen studio, always consider the lighting. Shiny materials yield bad results, as they reflect light and make replaced areas seem paler. At the same time, glossy materials will cast shadows, causing darker areas to not get replaced in the result. What you want to go looking for is a matte surface. Matte surfaces will diffuse light ; causing even lighting across the entire material, and therefore , a narrower color range. That is, there will be less reflected light ; paler outcomes, aand less shadows ; non-replaced outcomes. Some of the cheaper options when starting out are solids such as cardboard or wood, painted green. Another option is a fabric such as canvas painted or dyed green. Defects like creases, bumps or divisions in your material are an enemy as they create shadows, and therefore imperfections in your ensuing pictures. If you select fabric, ensure it is adequately thick or dense, and doesn't let light or its resting surface show thru.

When shooting with your green screen studio, your subject is also a big element in your lighting decision. You want to make a price difference between your subject and your green screen. Usually a 2 stop difference ( green screen is two stops higher or lower than the subject ) between the green screen studio and the subject is preferable as a lighting difference. - 18758

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