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Friday, January 22, 2010

Lighting Method: White Cyc Studio

By Phil Guye

Lighting tasks are made easier with a projection cyclorama and excellent white cyc studio surfaces to project the surface lighting effects or photographs. One of the advantages of a projection cyclorama is its ability to diffuse light pristinely on its surface. Cyc lighting is more effective with the projection cyclorama that aids to mix the color washes. The succession positioning is not as vital with the projection cyclorama. The image source isn't seen by the audience when the projection cyclorama illuminates the white cyclorama from the rear or behind. This allows for any kind of light source to be used from behind the white cyclorama without divulging the point of light source. This allows for a sun effect to be made by projecting the image at once onto the back of the white cyclorama parallel to its desired position.

Providing a real round beam instead of an oval effect is produced using a floor mounted light. A standard lighting strategy uses black theatre curtains down stage to soften and to extend the depth of the effect. Cyc lighting will color either the front or back of the white cyc studio screen. A horizon strip can be created using ground row behind the screen without the requirement to conceal it behind the views.

How to employ a Projection Cyclorama in a Studio: what's the best way for learning different techniques of lighting with the projection cyclorama? Using standard stage lighting equipment to learn the difference of how each sort of light source diffuses and passes through a translucent medium and learn how to set cues controlling the light illuminating the white cyc studio surfaces. The method of lighting scenes is like painting with watercolors. In place of watercolors light is utilized in layers. Creating washes with light is like broad brush strokes on a watercolor painting. This method is done by using a strip or border of lights on the floor, and hung overhead; more reliable details can be done with spotlights and image projectors to form a softer edge area with the floor lights. The projection cyclorama will create an infinite number of backgrounds by an easy change of the light cues.

Creating Sea, Sky and Horizon line for a White Cyc Studio: making sea and sky effects using two rows of strip lighting on the upstage floor of the projection cyclorama divided by a 30 in. high plywood and a ground row place between them. Each strip light has four circuits with different colors of blue in each strip light. The four different blues are mandatory for the effect. Making a massive array of colors for other effects needs the utilization of three first colors in 3 light strips. The three primary colors are red, blue, and green. The 4th strip has only the color white.

Creating a horizon line by placing a lower edge of light from the upstage strip light obstructing it employing a plywood ground row creates a shadow that forms the horizon line. Aligning the upper downstage strip with the horizon line fortifies the horizon and allows for the sea effect to be a different color from the sky by layering different light strengths between each set of strips. - 18758

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Green Screen LA - Unlimited Potential

By Phillip Guye

Many films that are filmed in los angeles would not be possible without assistance from the green screen. How else would Godzilla stomp through New York? How could imaginary universes such as the one in Star Trek be possible? How could a motion picture look like a graphic novel so accurately? Despite how pretty a city LA is, L.A. Filmmakers can't just create settings that look as if they came straight from comic books or the minds of the most imaginative film makers in just a snap of a finger. In short , without the green screen LA ( a term coined from the prevalent use of these sort of screens in LA studios ) technology that many studios in los angeles have adopted as the only way to develop special effects, our movie-watching experiences will have a large amount of limits. Thankfully , LA film makers have actually discovered the joys of these screens and it's technology is here to stay.

The chroma key technique is all about blending 2 different pictures with each other. The foreground is retained while the background is replaced with another image. This is precisely why the background used must be a solid color. It makes it easy for L.A. Film makers and visible effects technicians to replace it with a different picture. Today, the most well liked background color used in the various studios spread round LA is green. This is because light is sensitive to this color, so meticulous lighting isn't required anymore. It also produces less noise and clean lines.

A good example that uses the screen is the up to date blockbuster flick "300." Shot totally in a motion picture studio in L. A. , the film relies heavily on visible effects to recreate the atmosphere and feel of Sparta right in the middle of L.A. Another thing the filmmakers considered is the look of the flick. It had to are like the exact graphic novel. This would not be possible without the screen. In this movie, the actors were shot in front of the green screen. Finishing touches were added in post production. The background pictures used were all created with aid from assorted CGI effects like CGI. The film looked like a cohesive whole, even though layers and layers of elements were used in order to come up with the finished product. This would not be possible without the this type of technology that L.A. Film makers have really harnessed to it's maximum capacity.

For green screen LA technology to work, there are some particularly vital factors to be considered. First, though in depth lighting isn't needed, there is not any excuse to use unacceptable lighting. Only the best cameras and lights should be used when filming using a screen. Also, it is essential to avoid casting shadows on the screen. This will be a blemish that will be tricky to retouch. Remember that the employment of a green screen is to have nominal work. Not using the screen the right way will definitely defeat the aim of ever using it.

The green screen is a flexible tool. For filmmakers in los angeles and all over the globe, it aids them to create or even recreate the most interesting settings right in the middle of L.A. It is also a vital tool for photographers because it aids them to make more refinements to their photographs. Green screen LA technology is undoubtedly a extremely handy tool in the movie industry. It makes the not possible possible and brings what we are able to only dare to picture to life. Green screen rentals and materials can be found all around the town of los angeles. - 18758

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Unlimited Space: White Cyc

By Phil Guye

White cyc is a stage background used to form the semblance of limitless space or sky. It is great for video and still photography permitting special effects to be added to the image. The main benefit of a white filming stage is the capability of making the background nearly disappear making all sorts of probabilities for lighting, and allows for the shutter-bug's subject being filmed to be center of stage.

Today's technology makes it possible for a line of white cyclorama products to be developed to meet the growing demand for white cyc backgrounds in a large number of environments and applications. This makes it possible for a cameraman to have his own white stage in his very own studio without the necessity for hiring a studio with a white stage. The ideas of straightforward assemble and smaller white stage backgrounds came from the founding father of Pro Cyc name Fritz. Fritz had his dream white studio built in Portland Oregon. The investment of money and time were great and construction employees labored for weeks building the studio out of plywood and drywall. During construction Fritz kept asserting, "There needs to be a neater way to build a white cyclorama studio?"

Fritz was given his chance to check out his idea while building his second white stage background in Portland after his first white cyc background suffered water damage while filming a special effect. Fritz's second white cyc studio is still being use in Portland Oregon today and is being leased out to customers like: Freightliner, Nike, Adidas, and Steinway among many others using the flexible studio. The studio has been repainted about 400 times since opening, but the walls still remain smooth as the 1st day they were installed.

The revolutionary patented molds developed by Fritz makes his company Pro Cyc one of the world's leading makers of modular white cyc background systems. Pro Cyc's research and development is consistently developing new ideas and products to meet the continually changing needs and demands of today's media and high-tech industries.

Pro Cyc works closely with their customers ensuring they are achieving the optimum solution for their wants. Pro Cyc's engineering can custom design white cyc sets to meet the specialized and demanding wants of their clients. In 2007 pro Cyc enter into the personal studio market with a fresh product line reducing cyc technology down to the scale of a desktop, which broke the barrier of catalogue photography. - 18758

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Searching for Affordable Green Screen Tips

By Phillip Guye

It is always advisable to look for Green Screen Tips when it comes to securing a place in the film industry. The issue of affordability comes into play each time you need to secure a high quality screen for your film shooting. Purchasing a green screen or (chroma key screen) can be expensive and building them on your own can be knackering. So, how do you decide the way to cheap screens? This is the topic debated in this article.

There is one thing that you should first consider when employing the utilization of chroma key screens. Chroma key screens are usually available in studios where the particular film shooting happens. This is where you've got to pat lease costs that they'd turn out to be dear. Therefore, you ought to have great knowledge and use good Green Screen Tips so you can secure the screens at a great price . The first green screen tips is to think about the studio. Many studios had different developments in the bizz. This is the reason why their prices will alter when it comes to renting chroma key screens from them. It's also always recommended to consider the studio prices. Compare them thoroughly so that you get the best screen at an affordable price.

The second green screen tips is the component of going for less popular studios. It is mostly terribly costly to secure services at a well-known studio. These studios have just established a name for themselves. Therefore, they already have a high competition of people looking for their services in film shooting. As a result, you should gamble with the less well-liked studios. They also have chroma key screens that you may use in shooting your film. However, they are massively cheaper because they are simply attempting to make a name for themselves and make people accept that they can create quality productions. Therefore it's wise to look for such studios and take advantage of the lower costs.

The 3rd of the green screen tips is using net services to find high quality screens at cheap studios. This is a good way to lease chroma key screens because internet sites have an opportunity to supply a discount. You'll be able to find the most acceptable deals online for your video production, and searching online for rentals should definitely not be discounted. There are so many sites that you are bound to get a good offer. You only need a computer and a network connection!

What you have got to be sure of is that the quality of the chroma key technology in your film production is always high no matter the affordability. Therefore, always keep the Green Screen Tips in mind so that you are able to make a great production at affordable costs. - 18758

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Green Screen LA Technology - A Factor in Many Films Today

By Phillip Guye

Were you ever curious about how special effects in films are made? How do filmmakers recreate the mystical sector of Hogwarts or conjure a pre-historic earth? How do filmmakers mix CGI with real life action shots? All these film wonders have been made feasible by the green screen. It's also known as chroma key, blue screen, and color separation overlay ( CSO ). Without the green screen LA technology, which is employed in studios all around the great town of los angeles ( Chroma Key technology ) many memorable films would not be created. Moviegoers will be stuck with dull flicks with poor, small, or no visible effects in any way. Without the chroma key, many probabilities in movie-making would still be in the dreams and imaginations of filmmakers.

These screens works by putting 2 pictures together. The solid background color is replaced by a precise background that'll be seen in the final cut of the motion picture. Way back then, in the 1930's, blue was the color of choice among filmmakers. After this, it was also used in numerous Technicolor films. One of the first pictures that employed the chroma key was the screen adaptation of Ernest Hemingway's popular novel, "The Old Man and the Sea." And the rest is history. More films were made with the aid of chroma key technology. It finally spawned many cinematic inventions that made film making what it is in the modern day. For example, the Chroma Key screen is no longer used only for changing backgrounds. Scenes are shot behind the screen so it would be easy to add visible effects such as CGI.

For instance, in the film Lord of the Rings, the actor who played Gollum wore a body suit that was a similar color of the Chroma Key screen. Sensors were attached to the suit to keep control of his movements. The CGI rendering of Gollum's character is then put over the green suit, and the sensors make it appear like a real live creature is moving. Then, an actual background is added to replace the green screen. All in all, the Lord of the Rings universe was made by CGI and the green screen!

The employment of the screen became popular when advanced film making equipment were created and developed. Rather than blue, green became the new color of choice because it is far easier to manipulate. It doesn't need complex lighting, it creates less sound, and it makes clear lines which makes it simpler to work with in post-production. This is the reason why today, green screen LA technology is the fave tool of many filmmakers and is utilized in studios all across the city of Los Angeles.

Although massive movie studios and production houses are renowned for making use of green screen LA technology, it is basically simpler to access than people think it is. Even filmmakers n a restricted budget can make their own screens. With the correct materials, creativity, resourcefulness, and guts, anybody who wants to make a reasonable film can make a DIY green screen. Now, massive budget films can now be copied by anyone who has a creative mind. Any studio materials or rentals you want can be easily found in Los Angeles. - 18758

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